Bossa Mundo Brazilian Music in Transnational Media Industries Reviews

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· 4 ratings · three reviews

Start your review of Bossa Mundo: Brazilian Music in Transnational Media Industries

Aug 27, 2020 Carol rated it it was amazing

This really interesting book covers the way Brazilian music has been viewed and circulated in the Anglophone world since the mail-state of war era, especially the US and UK. Bossa nova and its widespread success in the 1960s is the thread that runs through both the music itself (in either its presence or absence) and its reception. Goldschmitt takes on the ways stereotypes, arbitration, politics, and views on racial diverseness have afflicted how US and United kingdom audiences run across and hear Brazilian music.
Not only did I This really interesting book covers the style Brazilian music has been viewed and circulated in the Anglophone world since the post-war era, peculiarly the US and U.k.. Bossa nova and its widespread success in the 1960s is the thread that runs through both the music itself (in either its presence or absence) and its reception. Goldschmitt takes on the ways stereotypes, mediation, politics, and views on racial multifariousness have affected how US and UK audiences meet and hear Brazilian music.
Not only did I become a lot out of this volume, since I am non well-versed in Brazilian music, I also enjoyed reading it. Goldschmitt'due south prose was exactly the kind of clear and engaging writing I most want in a scholarly volume. They fabricated even complex concepts easy to grasp.

(Full Disclosure: the writer is a work colleague.)

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October 01, 2019 Allie Kleber rated information technology it was amazing

Disclaimer: I did adequately extensive beta/proofreading of this book prior to publication, and I know the author personally.

Bossa Mundo is an ethnographic survey of the history of Brazilian music in the Usa and United Kingdom, from the rise of bossa nova in the 1960s up through the present. As such, it discusses topics like the racialization and exoticisation of Brazilian identity and music, bug of translation (both cultural and linguistic), the rise and fall of pop cultural trends, an

Disclaimer: I did fairly extensive beta/proofreading of this book prior to publication, and I know the author personally.

Bossa Mundo is an ethnographic survey of the history of Brazilian music in the United States and United Kingdom, from the ascent of bossa nova in the 1960s upwards through the present. Every bit such, information technology discusses topics similar the racialization and exoticisation of Brazilian identity and music, problems of translation (both cultural and linguistic), the rise and fall of popular cultural trends, and the commercial processes that mediate the manual of one land's music to international audiences, besides as the impact all this has on Brazil'due south overall "brand" or image on the international stage.

Information technology's academic, yes. But information technology's non dry - 1 of the things I, specifically, was reading for was accessibility exterior the field. It'southward scholarly, only not loaded down with unexplained jargon. It discusses sociological topics ... like dance crazes, and soundtracking spy films. It intersects with decades of American music history (especially jazz) and the creation of the "world music" genre, and is brimming with multiple eras of intriguing biographical and historical material. There's an opportunity to larn more most how the music manufacture works, consider the ramifications of changing engineering, how we do and don't pay attending to the media that saturates our environs ... etc. And of grade, Bossa Mundo as an introduction to the music of an entire country (and beyond), as attainable from a Usa/UK perspective. Dr. Goldschmitt has fifty-fifty put together an accompanying playlist, which I highly recommend: https://open.spotify.com/playlist/2TX...

Aggrandize your horizons, and go your groove on while you're at it.

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not a history of bossa, just this is more than like a history of how the genre changed hands and near the mechanisms used to solidify the genre'south status as "quintessentially Brazilian" not a history of bossa, only this is more similar a history of how the genre changed hands and about the mechanisms used to solidify the genre'south condition as "quintessentially Brazilian" ...more